Chasing the End doesn’t hide its inspirations for even a second. In the opening scene, Rion, a young woman in Seoul, South Korea, rises from the bed in her apartment building, the TV in the corner showing nothing but static, and a not-so-subtle pixel-art poster of Playdead’s 2016 masterpiece Inside hanging on the wall behind her.
In fact, Inside is the only pristine thing you could possibly be reminded of as you explore Rion’s world. Everything has gone to hell: trash coats the floors of her building, rooms are boarded up, the walls are cracked and crumbling, and as an elderly neighbor stops Rion for a quick chat to plead for help cleaning her place up, it quickly becomes clear that this is not a prosperous world.
In fact, Rion...